'EuroKruhek' illustrates various patterns of migration among bakery workers from Kosovo. It symbolizes the interconnectedness and solidarity among these workers through a drawing that maps the city's bakeries in the form of dots and lines connecting them. The artist transforms purchased bakery products from these mapped bakeries into an installation representing a form of totems. 

The term "totem" originated from the Chippewa word "ototeman," which literally means 'relatives by the womb'. It is often inaccurately translated as 'his relatives' and similar phrases, but it denotes a clan relationship among people, emphasizing kinship and blood ties. In the installation, the artist utilizes pans belonging to their father, a baker, to preserve traces of his work, drawing attention to the often invisible and undervalued labor of bakery workers.

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• Installation: Bread / Drawing

In collaboration with: Armendi, Pekarna Kodeljevo, Duanjska Pekarna, Pekarna Šiška, Stara Pekarna Euro Kruhek, Pekarna Dona, Pekarna Dolina, Stara Pekarna Kruhek, Pekarna Ježica, Pekarna Ježica 2

Curators: ETC. Magazine ( Ajda Ana Kocutar, Hana Čeferin, Lara Mejač ), Tina Pētersone

Photo-documentation: Marijo Zupanov

MIDAS (abandoned shopping center)

Ljubljana, Slovenia

2024