Kemil Bektesi

250 °C

250°C is a personal reflection on labor and the value society places on different types of work. Made from baking pans my father uses as a baker, I preserve the traces of grease and dough that remain after years of use. These traces serve as a testament to the physical and emotional toll of manual labor, a contribution that often goes unrecognized despite its essential role in sustaining society. The title 250°C refers to the temperature of bread baking, symbolizing my father’s daily work routine. The traces of labor are inscribed with gold leaf, traditionally associated with wealth and status, as gold transforms the ordinary into the valuable, raising questions about what society deems worthy of recognition. These pans become icons of sorts that celebrate my father’s work and emphasize the value of “invisible” labor.

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  • Baking pan / gold leaf 

Photo-documentation: Bojan Stojčić

2023

Installation view: MiArt Milano Photo: Nicola Morritu Courtesy the Artist 2025

Three rectangular panels, two with rust-colored edges and speckles of gold, flank a central light gray panel with subtle golden flecks, all against a white background.

Photo: Bojan Stojčić. Courtesy the artist. 2023..

An art exhibition featuring two rectangular, distressed metal plates suspended by chains above a reflective black platform in a dimly lit room.

Installation view: MIDAS. Ljubljana (Slovenia) Curators: ETC. Magazin and Tina Petersone Photo: Marijo Zupanov. Courtesy the artist. 2024.

Rectangular panels featuring distressed black and white textures hang from chains over a shiny black reflective surface on a light-colored floor, with other textured sculptures in the background.
A close-up of a rustic, textured surface partially covered in gold leaf, suspended by a metal chain and carabiner against a dark background.

Installation view: Detail, MIDAS. Ljubljana (Slovenia) Curators: ETC. Magazin and Tina Petersone Photo: Marijo Zupanov. Courtesy the artist. 2024.

Three rectangular panels, two with rust-colored edges and speckles of gold, flank a central light gray panel with subtle golden flecks, all against a white background.
An art exhibition featuring two rectangular, distressed metal plates suspended by chains above a reflective black platform in a dimly lit room.
Rectangular panels featuring distressed black and white textures hang from chains over a shiny black reflective surface on a light-colored floor, with other textured sculptures in the background.
A close-up of a rustic, textured surface partially covered in gold leaf, suspended by a metal chain and carabiner against a dark background.